[et_pb_section fb_built=”1″ _builder_version=”4.5.1″ _module_preset=”default” background_color=”#0000ee” background_image=”https:\/\/www.aracartandresidency.com\/wp-content\/uploads\/2021\/10\/vd-scaled.jpg” background_blend=”multiply” custom_margin=”||-93px|||” custom_padding=”100px||126px||false|false”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.1″ _module_preset=”default” custom_margin=”34px|||||” custom_padding=”45px|||||” custom_css_after=”display: block;||content: ”;||width: 30px;||height:30px;||background:red;||border-radius: 50%;||position: absolute;||right: 10vw;||bottom: 10vh;”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_column type=”2_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_image src=”https:\/\/www.aracartandresidency.com\/wp-content\/uploads\/2021\/10\/ds.jpg” title_text=”ds” module_class=”artist-picture” _builder_version=”4.5.1″ _module_preset=”default” width=”44%” max_width=”44%”][\/et_pb_image][et_pb_text module_class=”artist-name” _builder_version=”4.5.1″ _module_preset=”default” text_text_color=”#333333″]<\/p>\n
Anetta Mona Chisa<\/p>\n
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Anetta Mona Chisa<\/span><\/b> tr\u0103ie\u0219te \u0219i lucreaz\u0103 la Praga. \u00centre anii 1994 \u0219i 2000, a studiat la Academia de Arte Frumoase din Bratislava. \u00cen 2006, \u00eempreun\u0103 cu Lucia Tk\u00e1\u010dov\u00e1 a fost laureat\u0103 a Premiului Osk\u00e1r \u010cepan, iar \u00een 2011 a expus la cea de-a 54-a Bienal\u0103 de la Vene\u021bia \u00een expozi\u021bia Performing History (cu Lucia Tkacova \u0219i Ion Grigorescu).<\/span><\/p>\n Practica artistic\u0103 a Anettei Mona Chisa are loc adesea sub forma expozi\u021biilor \u0219i a instala\u021biilor colaborative, fiind preocupat\u0103 mai ales de discontinuit\u0103\u021bile \u0219i transformarea contextului socio-politic est-european. Artista reflect\u0103 asupra schimb\u0103rii sistemelor de referin\u021b\u0103 \u00eentr-o lume care ader\u0103 din ce \u00een ce mai mult la constr\u00e2ngeri axiomatice \u00een dezvoltarea tehnologic\u0103, a sistemului apitalist \u0219i al individualismului radical. Proiectele solo \u0219i colaborative ale Anettei Mona Chisa includ expozi\u021bii la Kunstraum Lakeside (2021), Kunsthalle Bratislava (2021), Museumcultuur Strombeek Gent (2019), Kunstraum Niederroesterreich, Viena (2017), Waterside Contemporary, Londra (2013); Galeria Christine Koenig, Viena (2011), Salonul de proiecte Bucure\u0219ti (2011) sau la Neuer Berliner Kunstverein, Berlin (2008), \u00een tranzit.sk, Bratislava (2006); Centre for Contemporary Art Futura, Praga (2006). Chisa a participat la expozi\u021bii de grup la Muzeul Na\u021bional de Art\u0103 Contemporan\u0103 din Bucure\u0219ti; la a 10-a Manifesta din Sankt\nPetersburg; \u00een Kunstrau Kreuzberg \/ Bethanien, Berlin; CONTEXT Art Miami; tranzit.ro, Bucuresti; Cultuurcentrum Strombeek, Grimbergen; Galeria Whitechapel, Londra; la a 3-a Bienala Interna\u021bional\u0103 de Art\u0103 T\u00e2n\u0103r\u0103 de la Moscova; \u00een Muzeul de Art\u0103, \u0141\u00f3d\u017a; Thyssen-Bornemisza Art Contemporary, Viena; MUMOK, Viena \u0219i la a 29-a Bienala de Arte Grafice din Ljubljana.\u00a0tranzit.sk<\/a>, Bratislava (2006); Centre for Contermporary Art Futura, Prague (2006).\u00a0\u00a0Chisa participated in group exhibitions in National Museum of Contemporary Art in Bucharest; at the 10th Manifesta in St. Petersburg; in Kunstrau Kreuzberg\/Bethanien, Berlin; CONTEXT Art Miami;\u00a0tranzit.ro<\/a>, Bucharest; Cultuurcentrum Strombeek, Grimbergen; Whitechapel Gallery, London; at the 3rd Moscow International Biennale for Young Art; in Museum of Art, \u0141\u00f3d\u017a; Thyssen-Bornemisza Art Contemporary, Vienna; MUMOK, Vienna and at the 29th Ljubljana Biennial of Graphic Arts.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.5.1″ _module_preset=”default” custom_padding=”|||20px|false|false” custom_padding_tablet=”|||0px|false|false” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” border_width_left=”1px” border_width_left_tablet=”0px” border_width_left_phone=”” border_width_left_last_edited=”on|tablet”][et_pb_text _builder_version=”4.5.1″ _module_preset=”default” text_text_color=”#333″ header_font=”|||on|||||” header_font_size=”50px” hover_enabled=”0″]<\/p>\n 3.11.2021-21.01.2022 @ Anca Poterasu Gallery<\/p>\n Vis\u0103m \u00een dimensiuni temporale elaborate \u0219i suntem modela\u021bi \u00een structuri pe care le punem \u00een mi\u0219care de la un \u00eenceput al unei lumi p\u00e2n\u0103 la sf\u00e2r\u0219itul alteia. Formele contorsionate dau na\u0219tere unor func\u021bii alterate: g\u00e2ndim un sistem osos \u0219i el ne urmeaz\u0103 impulsurile, ne \u00eentreb\u0103m ce este dincolo de recognoscibil \u0219i \u00eentindem bra\u021bele pentru a \u00eent\u00e2mpina necunoscutul. \u201e\u0218tiu c\u0103 totul a fost confuz\u201d, scrie Anne Boyer, \u201edar este aceea\u0219i confuzie ca atunci c\u00e2nd sunt sigur\u0103 c\u0103 fiecare persoan\u0103 care a tr\u0103it vreodat\u0103 \u0219tie exact la ce m\u0103 refer atunci c\u00e2nd spun c\u0103 m\u0103 simt ca un \u0219arpe ce se strecoar\u0103 pe o potec\u0103 \u00een soare, dar care apoi se dovede\u0219te a fi chiar pielea n\u0103p\u00e2rlit\u0103 r\u0103mas\u0103 \u00een urma \u0219arpelui.\u201d*<\/p>\n Anetta Mona Chisa urm\u0103re\u0219te defini\u021bia ambigu\u0103 \u00eentre identitate \u0219i multiplicitate, \u00eentre eu-rile l\u0103sate \u00een urm\u0103 \u0219i alteritatea celuilalt. Spa\u021biul galeriei devine simultan o minte colectiv\u0103, un cabinet de curiozit\u0103\u021bi, un p\u00e2ntec \u00een care zigo\u021bi-asteroizi sunt modela\u021bi de cerin\u021bele materiei, sau de imagina\u021bia artistei, sau de spa\u021biul dintre privire \u0219i percep\u021bie.<\/p>\n Corpuri noi \u0219i r\u0103m\u0103\u0219i\u021be atemporale coexist\u0103 \u00eentr-un peisaj imaginat la r\u0103scrucea dintre organic \u0219i anorganic. Chestion\u00e2nd modul \u00een care se creeaz\u0103 cunoa\u0219terea, Anetta Mona Chi\u0219a \u00ee\u0219i imagineaz\u0103 un sistem \u00een care diferen\u021bierea dintre art\u0103, \u0219tiin\u021b\u0103, tehnologie, peisaj, nu exist\u0103: reac\u021bii chimice creeaz\u0103 forma\u021biuni cristaline, \u00een timp ce alte structuri din ipsos sunt expuse ca piese turnate, agregate \u00een forme aproape fractale, sau altfel \u00een proces de revenire amorf, la \u00eenceputuri.<\/p>\n \u00cen spa\u021biul expozi\u021bional reapar \u00eentreb\u0103ri privind tehnici sculpturale \u0219i rolul artei \u00een a crea realit\u0103\u021bi ce devr\u0103jesc via\u021ba de zi-cu-zi \u00een sisteme predeterminate. Prin metonimii ale formelor \u0219i asocieri disparate, Temporal Parts se configureaz\u0103 ca un experiment al percep\u021biei, al unei straniet\u0103\u021bi colective dintr-un vis \u00een altul, fie \u0219i doar pentru a explora spa\u021biul dintre.\n\n\u201eS\u0103 vezi un \u0219arpe \u00eenseamn\u0103 s\u0103 te g\u00e2nde\u0219ti la felul \u00een care ochii \u0219arpelui str\u0103lucesc \u0219i c\u0103 s-ar putea ca el s\u0103 nu poat\u0103 vedea pentru un timp, pentru c\u0103 este acolo, \u00een transformare, c\u0103p\u0103t\u00e2nd o piele nou\u0103, sc\u0103p\u00e2nd de cea veche, pierdut \u00een procesul de a deveni altceva. \u201d **<\/p>\n *
<\/span><\/p>\nTemporal Parts<\/h1>\n
*l** Citate din (Anne-Boyer, \u201eThe Undying\u201d)<\/p>\n