{"id":450,"date":"2021-04-15T11:27:52","date_gmt":"2021-04-15T11:27:52","guid":{"rendered":"https:\/\/www.aracartandresidency.com\/?page_id=450"},"modified":"2021-06-09T11:01:34","modified_gmt":"2021-06-09T11:01:34","slug":"solo-show-aurora-kiraly","status":"publish","type":"page","link":"https:\/\/www.aracartandresidency.com\/ro\/solo-show-aurora-kiraly\/","title":{"rendered":"Solo Show Aurora Kir\u00e1ly"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.5.1″ _module_preset=”default” background_color=”#0000ee” background_image=”https:\/\/www.aracartandresidency.com\/wp-content\/uploads\/2021\/04\/Aurora-Kiraly_SD_SN_Balance-is-everything.2021-detail_2000-px-1.jpg” background_blend=”multiply” custom_margin=”||-93px|||” custom_padding=”100px||126px||false|false”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.5.1″ _module_preset=”default” custom_margin=”34px|||||” custom_padding=”45px|||||” custom_css_after=”display: block;||content: ”;||width: 30px;||height:30px;||background:red;||border-radius: 50%;||position: absolute;||right: 10vw;||bottom: 10vh;”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_column type=”2_5″ _builder_version=”4.5.1″ _module_preset=”default”][et_pb_image src=”https:\/\/www.aracartandresidency.com\/wp-content\/uploads\/2021\/04\/Portret-Aurora_by-Nicu-Ilfoveanu-1.jpg” alt=”aurora kiraly” title_text=”Portret Aurora_by Nicu Ilfoveanu” module_class=”artist-picture” _builder_version=”4.5.1″ _module_preset=”default” width=”35%” max_width=”35%”][\/et_pb_image][et_pb_text module_class=”artist-name” _builder_version=”4.5.1″ _module_preset=”default” text_text_color=”#333333″]Aurora Kir\u00e1ly
\n[\/et_pb_text][et_pb_text _builder_version=”4.5.1″ _module_preset=”default” text_text_color=”#333333″]Aurora Kir\u00e1ly\u2019s artistic practice is focused mainly on photography as a way of building complex links between events, public and private sphere of experience. Working at the intersection of photography with textile art, drawing or installations, the artist is exploring how the mind records, relives, remembers. She is particularly interested in exploring feminist theories in relation with identity-making and the status of women in society.<\/p>\n

Artista pred\u0103 la Universitatea de Arte din Bucure\u0219ti \u0219i este cunoscut\u0103 pentru rolul s\u0103u \u00een sus\u021binerea \u0219i remodelarea scenei de art\u0103 cultural\u0103 din Bucure\u0219ti \u00een calitate de director artistic al asocia\u021biei Galeria Nou\u0103 (2001 - 2012).<\/p>\n

Lucr\u0103rile sale fac parte din colec\u021bii publice \u0219i private, prezentate \u00een urm\u0103toarele expozi\u021bii selectate: Dup\u0103 doisprezece ani. Produc\u021bia artistic\u0103 din Rom\u00e2nia \u00een 180 de lucr\u0103ri (Muzeul Na\u021bional de Art\u0103 Contemporan\u0103, RO, 2020 \u2013 2021); The Show That Never Was (Galeria Anca Potera\u0219u, RO, 2021); Corsete atunci \u0219i acum (Zina Gallery, RO, 2021); 4 | 14 | 26 grade est (Galeria Anca Potera\u0219u \u0219i l\u00edtost, BE, 2020); In Midst of the Worst, the Best of Times (SUMO \u2013 The Odd year la l\u00edtost Praga, CZ, 2020); O camer\u0103 doar a ei, (NADA Gallery Open NY Harlem CT Collective, US, 2020); \u00cen mijlocul furtunii (Galeria Anca Potera\u0219u, RO, 2019); Ex-East. Past and recent stories of the Romanian avant-gardes (Espace Niemeyer, Paris, FR, 2019); Din unghiuri diferite (The National Museum of Contemporary Art, RO, 2018); Woman, All Too Woman \u2013 a 3a edi\u021bie a Baroc Urban (Muzeul de Art\u0103, Timi\u0219oara RO, 2018); Orient \u2013 Trauma & Revival: Contemporary Encounters (Kim? Laikmet\u012bg\u0101s m\u0101kslas centrs, Riga \/ BOZAR Centrul de Art\u0103 Contemporan\u0103, Bruxelles \/ Galeria Sztuki Wsp\u00f3\u0142czesnej Bunkier Sztuki, Cracovia, 2018); Conjuncturi (solo \u2013 show, Spinnerei Leipzig Project Space, DE, 2018); Geometrii construite. Spa\u021biu \/ Timp \/ Memorie (solo \u2013 show, Galeria Anca Potera\u0219u, RO, 2017); Via\u021ba - mod de \u00eentrebuin\u021bare (Bienala de art\u0103 contemporan\u0103 Art Encounters, RO, 2017); Reality Check (solo \u2013 show Calina Gallery, Timi\u0219oara RO, 2016); Ex Future (Arcub Gabroveni, RO, 2016); Our History about the Others. Bucure\u0219ti \u2013 Un ora\u0219 v\u0103zut prin patru lentile (Noaptea alb\u0103 a galeriilor #10 la Scena9 RO, 2016); Girls with Ideas [Boys and Paintings] (Lateral ArtSpace, Paintbrush Factory, Cluj, RO, 2016); Brain Tatoos \u2013 A Map of Obssesions, (Institutul Cultural Rom\u00e2n Lisabona, PT, 2016); Cut & Paste Histories (Alert Studio, Bucure\u0219ti, RO, 2015); WHAT ABOUT Y[OUR] MEMORY (The National Museum of Contemporary Art, RO, 2014); Good Girls \u2013 On Memory, Desire, Power (The National Museum of Contemporary Art, Bucure\u0219ti, RO, 2013); Duet ( Fortress Gallery, T\u00e2rgu Mure\u0219, RO, 2003); Arheologie feminin\u0103 (Centrul Interna\u021bional de Art\u0103 Contemporan\u0103 Bucure\u0219ti, RO, 2000); Melancolia (Centrul Cultural Sindan, Cluj, RO, 2000); Melancolia (GAD Photogallery, Bucure\u0219ti, RO, 2000); F\u0103r\u0103 titlu (Centrul Interna\u021bional de Art\u0103 Contemporan\u0103 Bucure\u0219ti, RO, 1999).<\/p>\n

Mai multe: www.ancapoterasu.com\/aurora-kir\u00e1ly<\/a>[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.5.1″ _module_preset=”default” custom_padding=”|||20px|false|false” custom_padding_tablet=”|||0px|false|false” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” border_width_left=”1px” border_width_left_tablet=”0px” border_width_left_phone=”” border_width_left_last_edited=”on|tablet”][et_pb_text _builder_version=”4.5.1″ _module_preset=”default” text_text_color=”#333″ header_font=”|||on|||||” header_font_size=”50px”]<\/p>\n

de altundeva, altceva dec\u00e2t mine \u00eens\u0103mi<\/h1>\n

8.05 – 4.07.2021 @ Anca Poterasu Gallery<\/p>\n

Se \u00eent\u00e2mpl\u0103 ceva, dar p\u00e2n\u0103 c\u00e2nd observ\u0103m, a \u00eenceput f\u0103r\u0103 noi.\nAstfel, accesul nostru la \u00eenceput este \u00een mod necesar incomplet, fragmentar. (Peggy Phelan)<\/em><\/p>\n

Recuper\u0103m fragmente pe m\u0103sur\u0103 ce pove\u0219tile se ramific\u0103 \u00een urma amintirilor. Aurora Kir\u00e1ly este inspirat\u0103 de mecanismele memoriei, pornind de la istoria personal\u0103, de la filme \u0219i c\u0103r\u021bi citite, poezii \u0219i coregrafii ale artistelor pe care le admir\u0103. Expozi\u021bia \u00ee\u0219i creeaz\u0103 universul s\u0103u \u00een mi\u0219care, \u00een care siluete decupate \u00een desene \u0219i fotografii se materializeaz\u0103 \u00een spa\u021biul galeriei.<\/p>\n

Artista \u00ee\u0219i \u00eendreapt\u0103 aten\u021bia spre memoria subiectiv\u0103, momentele pe jum\u0103tate uitate, istoriile reinterpretate \u00een mintea noastr\u0103, conexiunile pe care le facem cu ceilal\u021bi. \u00cen era noastr\u0103 digital\u0103 putem \u00eenregistra, p\u0103stra \u0219i reaccesa aproape fiecare detaliu al vie\u021bii noastre. \u0218i totu\u0219i, cu c\u00e2t ne gr\u0103bim s\u0103 ne colec\u021bion\u0103m mai repede trecutul, cu c\u00e2t acesta ni se arat\u0103 \u00een mai multe \u0219i mai multe fr\u00e2nturi, este din ce \u00een ce mai greu s\u0103 reunim o versiune a realit\u0103\u021bii oglindite \u00eenapoi c\u0103tre noi. Aurora Kir\u00e1ly preia astfel de reflexii, reconect\u00e2nd ceea ce este p\u0103strat \u00een amintire cu ceea ce se poate re-sim\u021bi, de la momente translucide, la mi\u0219c\u0103ri retrase \u00een g\u00e2nduri texturate. Cus\u0103turi, desene, de\u0219ir\u0103ri, asamblaje, ele devin rezultate ale unor ac\u021biuni performative ascunse \u00een modul \u00een care memoria lucreaz\u0103 asupra form\u0103rii \u0219i recuper\u0103rii identit\u0103\u021bii.<\/p>\n

Aurora Kir\u00e1ly urm\u0103re\u0219te aceast\u0103 leg\u0103tur\u0103 \u00eentre memorie, identitate \u0219i fotografie de-a lungul carierei sale, \u00eencep\u00e2nd cu seria Melancholia (1997 - 1999) \u0219i Viewfinder Mock-up (2016 - 2019), conect\u00e2ndu-se la mai recentele serii Soft Drawings ( 2020 - 2021) sau mai evident, Viewfinder Clash (2021). Experimentarea cu realizarea imaginilor \u0219i procesul timp-memorie conduce la un discurs vizual \u00een mai multe medii artistice, de la imagini efemere, p\u00e2n\u0103 la fotograme, colaje \u0219i obiecte \u00een materiale textile, instala\u021bii.<\/p>\n

Materializarea \u0219i de-materializarea imaginii, de la fotografie la corpuri din fetru \u0219i bumbac este un act asumat al Aurorei Kir\u00e1ly, conect\u00e2ndu-se la feminismul lui Louise Bourgeois sau al lui Tracey Emin, folosind elemente autobiografice. Expozi\u021bia ofer\u0103 o istorie alternativ\u0103 a fotografiei, prin nara\u021biuni subiective, devenind complice \u0219i aduc\u00e2nd un omagiu istoriei performance-ului feminin \u0219i feminist. Investigarea propriei vie\u021bi \u0219i experien\u021be personale conduce la instala\u021bii precum seria 50\u2019s sau Soft Despair (2020), ce exprim\u0103 st\u0103ri conflictuale, \u00eendoial\u0103, durere \u0219i transform\u0103ri ale corpului \u00een timp. Mi\u0219c\u0103rile de dans \u0219i teatrale ale artistelor precum Yvonne Rainer sau Mette Ingvartsen sunt cusute \u00een m\u0103rime natural\u0103 \u00een siluete matlasate ce urmeaz\u0103 conturul corpului Aurorei Kir\u00e1ly. Un \u021bip\u0103t t\u0103cut, salturi, mi\u0219c\u0103rile sunt transferate \u00een instala\u021bii mute, cu at\u00e2t mai puternice pentru vocile recognoscibile din \u00een\u0103untrul nostru, nerostite, pasive sau sub efectul autocenzurii. Formele textile se \u00eenf\u0103\u0219oar\u0103 una \u00een jurul celeilalte, form\u00e2nd un al doilea corp de gesturi fluide, o entitate colectiv\u0103 a \u00eemb\u0103tr\u00e2nirii, a rela\u021biei dintre corpul locuit \u0219i capacit\u0103\u021bile sale de exprimare<\/p>\n

Realizate din fetru, bumbac, sau alte materiale din haine reciclate, colajele din Soft Drawings_Subconscious Narratives ale Aurorei Kir\u00e1ly exploreaz\u0103 rela\u021biile din via\u021ba de familie. Suprafe\u021bele plane, suprapuneri de texturi \u0219i transparen\u021be se reunesc \u00eentr-un proces profund psihologic, exprim\u00e2nd ambivalen\u021ba dorin\u021bei de confort \u0219i evadare. O scen\u0103 dintr-un serial TV celebru, sau o compozi\u021bie pe care o putem recunoa\u0219te \u00een orice album de familie, lumina care se refract\u0103 dintr-un acoperi\u0219 transparent \u00eentr-un muzeu \u2013 sunt momente \u0219i momente care se adun\u0103 t\u0103cut, dar statornic \u00een umbra marilor evenimente.<\/p>\n

Se creeaz\u0103 o \u021bes\u0103tur\u0103 invizibil\u0103 a dup\u0103-amiezilor lene\u0219e, a discu\u021biilor frivole, a ceea ce este aproape uitat din noi, pentru un eu dintr-un moment important, sau pentru un noi, sau pentru altceva complet str\u0103in.<\/p>\n

________________________________________<\/p>\n

*Everything without exception which is of value in me comes from somewhere other than myself, not as a gift but as a loan which must be ceaselessly renewed. (Simone Weil, Gravity and Grace, \u201dThe Self\u201d, Taylor & Francis e-Library, 2003, p. 31.)<\/p>\n

**Peggy Phelan \u00een \u201dScrisori.Dwelling\u201d, \u00een Adrian Heathfield, Out of Now: The Lifeworks of Tehching Hsieeh, 2009, p. 342.<\/p>\n

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Facebook event<\/a><\/p>\n

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