{"id":1749,"date":"2022-05-09T12:00:25","date_gmt":"2022-05-09T12:00:25","guid":{"rendered":"https:\/\/www.aracartandresidency.com\/?page_id=1749"},"modified":"2022-05-18T09:27:53","modified_gmt":"2022-05-18T09:27:53","slug":"insomnia-nights-adrian-notz","status":"publish","type":"page","link":"https:\/\/www.aracartandresidency.com\/ro\/insomnia-nights-adrian-notz\/","title":{"rendered":"Insomnia Nights – Adrian Notz"},"content":{"rendered":"

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Adrian Notz<\/b><\/p>\n

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Adrian Notz (*1977 la Zurich) este curator la ETH AI Center \u0219i la Tichy Ocean Foundation, curator al celei de-a 5-a Bienale Art Encounters 2023, Timi\u0219oara, Rom\u00e2nia, mentor pentru strategia \u0219i viziunea creativ\u0103 la Centrul European de Art\u0103 Contemporan\u0103 din Cluj (ECCA), Diplomat al Statului NSK, Rege al Regatului Elgaland-Vargland \u0219i Chevalier de la Tombe de Bakunin. Din 2012-2019 a fost director artistic al Cabaret Voltaire din Zurich. A lucrat acolo mai \u00eent\u00e2i ca asistent curatorial \u0219i ca co-director. <\/span><\/p>\n

Din 2010 p\u00e2n\u0103 \u00een 2015 a fost \u0219eful Departamentului de Arte Plastice la \u0218coala de Design din St. Gallen. Notz a organizat \u0219i curatat numeroase expozi\u021bii, evenimente, conferin\u021be, ac\u021biuni \u0219i interven\u021bii cu arti\u0219ti interna\u021bionali, activi\u0219ti \u0219i g\u00e2nditori \u00een Cabaret Voltaire, precum \u0219i la nivel interna\u021bional de pe tot globul.<\/span><\/p>\n

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In Mask Language, the symbol for the two sides of the mask is: \/}\/<\/b><\/h1>\n

13.05.2022 l Curator Talk l Anca Poterasu Gallery<\/p>\n

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Dup\u0103 proiec\u021bia filmului lui Carlos Amorales, The Rhetoric of the Mask (2021), curatorul Adrian Notz se va angaja \u00eentr-un dialog cu artistul despre m\u0103\u0219tile pe care le purt\u0103m \u00een lumea real\u0103, pe platformele virtuale, sinele nostru digital, pe al\u021bii no\u0219tri interfa\u021ba\u021bi.<\/p>\n

\"\u00cen acela\u0219i timp cu discu\u021bia de la mijlocul anilor '90 despre deschiderea lumii artei occidentale c\u0103tre arti\u0219tii non-occidentali, care era centrat\u0103 pe identitate \u0219i pe modul \u00een care aceasta trebuia s\u0103 fie reprezentat\u0103 prin intermediul lucr\u0103rilor de art\u0103 \u0219i al individului, internetul a fost adoptat \u00een Europa la scar\u0103 mare.<\/p>\n

\u00cen anii '90, au devenit importante \u00eentreb\u0103rile legate despre sine \u0219i de mai \u00eenseamn\u0103 aceasta \u00een lumea virtual\u0103 \u0219i de modul \u00een care se vor \u00eentrep\u0103trunde sferele private \u0219i publice. Din acest punct de vedere, identitatea fictiv\u0103 pe care o inventasem \u0219i pe care o interpretam era \u00een concordan\u021b\u0103 cu ideea de avatar ca mijloc de auto-reprezentare care putea fi proiectat \u00een lumea multistratificat\u0103 a internetului. Deoarece o masc\u0103 este, prin defini\u021bie, un strat \u00eentre interior \u0219i exterior, ea a fost instrumentul ideal pentru a cerceta acest nou spa\u021biu care devenea accesibil cet\u0103\u021benilor din \u00eentreaga lume.<\/p>\n

Am devenit interesat de modul \u00een care acest strat liminal func\u021biona ca fiind situat \"\u00eentre\" sine \u0219i cel\u0103lalt, public \u0219i privat, fapt \u0219i fic\u021biune, art\u0103 \u0219i realitate. Am \u00een\u021beles c\u0103 masca nu este doar o imagine de reprezentare, ci \u0219i un instrument de performan\u021b\u0103 \u00eentr-un timp \u0219i spa\u021biu dat, care se define\u0219c ca o \u00eent\u00e2lnire a dou\u0103 versiuni ale existen\u021bei: realul \u0219i virtualul. \u00cen ultimii dou\u0103zeci de ani, aceste dou\u0103 lumi existen\u021biale s-au contopit \u0219i au devenit imposibil de distins. Societatea este reprezentat\u0103 \u00een mediile sociale \u0219i invers, fiecare aliment\u00e2ndu-se reciproc, ca \u0219i cum ar forma un circuit \u00eenchis. Fiecare nou\u0103 genera\u021bie se obi\u0219nuie\u0219te tot mai mult cu fuziunea celor dou\u0103 lumi \u0219i nu mai distinge diferen\u021bele dintre cele dou\u0103 ordini simbolice. Este ca \u0219i cum masca a devenit un strat poros - sau pur \u0219i simplu a disp\u0103rut.\" - text publicat cu ocazia expozi\u021biei personale a artistului Carlos Amorales, care a avut loc anul acesta la Stedelijk Museum, \u00een Amsterdam. V\u0103 invit\u0103m s\u0103 citi\u021bi mai multe aici: https:\/\/www.stedelijk.nl\/en\/digdeeper\/factory-manifesto\u00a0<\/a><\/p>\n<\/div>\n

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