{"id":1732,"date":"2022-05-09T11:40:03","date_gmt":"2022-05-09T11:40:03","guid":{"rendered":"https:\/\/www.aracartandresidency.com\/?page_id=1732"},"modified":"2022-05-17T14:46:29","modified_gmt":"2022-05-17T14:46:29","slug":"insomnia-nights-carlos-amorales","status":"publish","type":"page","link":"https:\/\/www.aracartandresidency.com\/ro\/insomnia-nights-carlos-amorales\/","title":{"rendered":"Insomnia Nights – Carlos Amorales"},"content":{"rendered":"

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Carlos Amorales<\/b><\/p>\n

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Carlos Amorales (Carlos Amorales, 1970, tr\u0103ie\u0219te \u0219i lucreaz\u0103 \u00een Mexico City)<\/p>\n

Artistul a studiat artele vizuale la Gerrit Rietveld Academie \u0219i Rijksakademie van Beeldende Kunsten, ambele \u00een ora\u0219ul Amsterdam, Olanda. Ha a realizat reziden\u021be artistice la Atelier Calder en Sach\u00e9 (2012) \u0219i MAC\/VAL en Vitry-sur-Seine (2011) \u00een Francia \u0219i ca parte a programului Smithsonian Artist Research Fellowship din Washington (2010), Statele Unite.<\/p>\n

Cele mai ample cercet\u0103ri din opera sa cuprind Los Amorales (1996-2001), Liquid Archive (1999-2010), Nuevos Ricos (2004-2009) \u0219i o explorare tipografic\u0103 \u00een leg\u0103tur\u0103 cu cinema-ul (2013-prezent).<\/p>\n

Dintre numeroasele sale expozi\u021bii individuale, putem aminti: Fabrica, Muzeul Stedelijk (Amsterdam, Olanda, 2019-2020); Axiome pentru ac\u021biune, MUAC, UNAM (M\u00e9xico, 2018) \u0219i MARCO (Monterrey, 2019); Instrumente de lucru, MAMM, (Medell\u00edn, 2017); Anti Tropicalia, Museo de Arte y Dise\u00f1o (Costa Rica, 2015); Black Cloud, Power Plant, (Toronto, 2015); El Esplendor Geom\u00e9trico, Kurimanzutto (M\u00e9xico, 2015), Germinal, Museo Tamayo (Mexico City, 2013); Nuevos Ricos, Kunsthalle Fridericianum (Kassel, 2010); Four Animations, Five Drawings and a Plague, Muzeul de Art\u0103 din Philadelphia (2008); Discarded Spider, Cincinnati Art Center (2008).<\/p>\n

Unele dintre cele mai remarcabile expozi\u021bii colective ale sale includ: Under the Same Sun. Art From Latin America Today, Muzeul Guggenheim (New York, 2014); New Perspectives in Latin American Art, MoMA (New York, 2007); Mexico City: An Exhibition About The Exchange Rate of Bodies and Values, MoMA PS1 (New York, 2002); \u0219i spectacole ca Amorales vs. Amorales, Centre Georges Pompidou (Paris 2001), SF MoMA (San Francisco, 2003) \u0219i Tate Modern (Londra, 2003).
\u00cen plus, a reprezentat Mexicul la cea de-a 57-a Bienal\u0103 de la Vene\u021bia cu proiectul Life in the Folds, iar Olanda \u00een aceea\u0219i Bienal\u0103 \u00een 2003. A mai participat la bienale precum Manifesta 9 (Belgia, 2012), Biennale de la Habana (Cuba, 2015 \u0219i 2009), Performa (New York, 2007), Bienala de la Berlin (2001 \u0219i 2014), Manif d\u00b4art 8 The Qu\u00e9bec Biennal 2017.<\/p>\n

Lucr\u0103rile sale sunt disponibile \u00een colec\u021bii interna\u021bionale precum Museo Tamayo \u0219i Museo Universitario de Arte Contempor\u00e1neo, Mexico City: Tate Modern, Londra; Muzeul de Art\u0103 Modern\u0103 \u0219i Muzeul Guggenheim, New York; Walker Art Center, Minneapolis; Muzeul Boijmans van Beuningen, Rotterdam; printre al\u021bii.<\/p>\n

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The Rhetoric of the Mask<\/b><\/h1>\n

13.05.2022 l Artist talk l Anca Poterasu Gallery<\/p>\n

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Artistul Carlos Amorales, invitat special la seria de evenimente Insomnia, va prezenta una dintre cele mai recente lucr\u0103ri, The Rhetoric of the Mask (video 4K, 2021, 26'20''). Lucrarea video \u00eenregistreaz\u0103 diverse ac\u021biuni ale lui Amorales, purt\u00e2nd o serie de m\u0103\u0219ti, \u00een fa\u021ba unui ecran de computer, at\u00e2t o camer\u0103 c\u00e2t \u0219i o oglind\u0103. \u00cen timpul celui de-al doilea an al pandemiei, artistul a montat un mic platou de filmare \u00een studioul s\u0103u pentru a se \u00eenregistra pe Zoom folosind fundalurile virtuale pentru a crea scenarii care reproduc \u0219i, \u00een acela\u0219i timp, ascund spa\u021biul privat, multiplic\u00e2nd \u00een acela\u0219i timp imaginea artistului, cre\u00e2nd un joc de straturi vizuale \u00een care masca este o resurs\u0103 formal\u0103 \u0219i un mijloc de reflec\u021bie.<\/p>\n

\u00cen timpul performance-ului pe Zoom, artistul expune teoriile sale asupra func\u021bionalit\u0103\u021bii m\u0103\u0219tii ca instrument sociopolitic care produce un spa\u021biu liminal \u00eentre concepte opuse. \u00cen acela\u0219i timp, cu un ton vizionar, el speculeaz\u0103 asupra ocup\u0103rii spa\u021biului privat individual prin implementarea de algoritmi ce func\u021bioneaz\u0103 \u00eentr-o nou\u0103 logic\u0103 colonialist\u0103 rezultat\u0103 din domina\u021bia tehnologic\u0103 a celor care de\u021bin controlul asupra resurselor financiare \u0219i de putere, care abandoneaz\u0103 \u00een rachetele lor lumea noastr\u0103 \u00een pericol de extinc\u021bie.<\/p>\n

Carlos Amorales este un artist multidisciplinar care exploreaz\u0103 limitele limbajului \u0219i ale sistemelor de traducere pentru a se aventura \u00een domeniul experimentului cultural. El folose\u0219te produc\u021bia grafic\u0103 ca instrument pentru a dezvolta structuri lingvistice \u0219i modele de lucru alternative care permit noi forme de interpretare \u0219i \u00eencurajeaz\u0103 colectivitatea. \u00cen proiectele sale, Amorales examineaz\u0103 procesele de construc\u021bie a identit\u0103\u021bii, propune o resemnificare constant\u0103 a formelor prezente \u00een lucr\u0103rile sale \u0219i provoac\u0103 o confruntare \u00eentre art\u0103 \u0219i cultura pop. Procesele sale de cercetare sunt complexe; ele se bazeaz\u0103 pe un repertoriu amplu de metodologii empirice pentru a dezvolta proiecte ample care conjug\u0103 referin\u021be istorice, culturale \u0219i personale. Practica sa se extinde la medii diverse precum desenul, pictura, sculptura sau colajul; precum \u0219i la performance, instala\u021bie, anima\u021bie, art\u0103 sonor\u0103, film, scris, printre alte formate netradi\u021bionale.<\/p>\n

Film details:\u00a0 Artist:Carlos Amorales (1970), The Rhetoric of the Mask, 2021, Video 4K, color with sound, 26:20 min<\/p>\n

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